I crave your mouth, your voice, your hair.
Silent and starving, I prowl through the streets.
Bread does not nourish me, dawn disrupts me, all day
I hunt for the liquid measure of your steps.
I hunger for your sleek laugh,
your hands the color of a savage harvest,
hunger for the pale stones of your fingernails,
I want to eat your skin like a whole almond.
I want to eat the sunbeam flaring in your lovely body,
the sovereign nose of your arrogant face,
I want to eat the fleeting shade of your lashes,
and I pace around hungry, sniffing the twilight,
hunting for you, for your hot heart,
like a puma in the barrens of Quitratue.
Veronica A. Shoffstall
After a while you learn
the subtle difference between
holding a hand and chaining a soul
and you learn
that love doesn’t mean leaning
and company doesn’t always mean security.
And you begin to learn
that kisses aren’t contracts
and presents aren’t promises
and you begin to accept your defeats
with your head up and your eyes ahead
with the grace of woman, not the grief of a child
and you learn
to build all your roads on today
because tomorrow’s ground is
too uncertain for plans
and futures have a way of falling down
in mid-flight.
After a while you learn
that even sunshine burns
if you get too much
so you plant your own garden
and decorate your own soul
instead of waiting for someone
to bring you flowers.
And you learn that you really can endure
you really are strong
you really do have worth
and you learn
and you learn
with every goodbye, you learn…
the subtle difference between
holding a hand and chaining a soul
and you learn
that love doesn’t mean leaning
and company doesn’t always mean security.
And you begin to learn
that kisses aren’t contracts
and presents aren’t promises
and you begin to accept your defeats
with your head up and your eyes ahead
with the grace of woman, not the grief of a child
and you learn
to build all your roads on today
because tomorrow’s ground is
too uncertain for plans
and futures have a way of falling down
in mid-flight.
After a while you learn
that even sunshine burns
if you get too much
so you plant your own garden
and decorate your own soul
instead of waiting for someone
to bring you flowers.
And you learn that you really can endure
you really are strong
you really do have worth
and you learn
and you learn
with every goodbye, you learn…
Charles C. Finn
Please don’t be fooled by me. Don’t be fooled by the face I wear, for I wear a mask. I wear a thousand masks, masks that I’m afraid to take off and none of them are me. Pretending is an art that is second nature to me, but don’t be fooled, for God’s sake don’t be fooled.
I give you the impression I’m secure and that all is sunny and unruffled with me, within as well as without, that confidence is my name, coolness my game, that water is calm and I’m in command and that I need no one, but don’t believe me, please don’t believe me.
My surface may be smooth, but my surface is a mask—my every varying and ever concealing mask. Beneath it dwells the real confusion, fear and aloneness. Beneath lies my smugness, my complacently, but I hide this—I don’t want anyone to know it.
I panic at the thought of my weakness and fear being exposed. That’s why I frantically created a mask to hide behind— nonchalant sophisticated facades to help me pretend— to shield me from the glance that knows— but such a glance is precisely my salvation, my only salvation and I know it. That is if it’s followed by acceptance. If it’s followed by love, it’s the only thing that can liberate me from myself, from my own self built prison walls and from the barriers that I so painstakingly erect. It’s the only thing that will assure me of what I cannot assure myself, that I’m really worth while, but I don’t tell you this, I don’t dare—I’m afraid to.
I’m afraid that your glance will not be followed by acceptance and love. I’m afraid you’ll think less of me and you’ll laugh and your laugh will kill me. I’m afraid that deep down, I’m nothing and that I’m just no good and that you’ll see this and reject me.
So I play my game; my desperate pretending; with the facade of assurance without and a trembling child within. And so begins the parade of masks, the glittering, but empty parade of masks and my life becomes a front. I idle chatter to you in suave tones of surface talk. I tell you everything that’s really nothing and nothing of what’s everything and what’s crying within me.
So when I’m through going through my routine, do not be fooled by what I’m saying. Please listen carefully and try to hear what I’m not saying—what I’d like to be able to say, but for survival I need to say, but what I can’t say.
I dislike hiding, honestly, I dislike the superficial game I’m playing, the superficial phony game. I’d really like to be genuine, spontaneous and me, but you’ve got to help me, you’ve got to hold out your hand, even when it’s the last thing I seem to want or need.
You can help wipe away from my eyes—the blank stare of grieving dead. You can help call me into aliveness each time you’re kind, gentle and encouraging. Each time you try to understand because you really care, my heart begins to grow wings, very small wings, very feeble wings, but wings.
If you choose to, please choose to. You can help break down the wall behind which I tremble. You can encourage me to remove my mask. You can help release me from my shadowed world of panic and uncertainty. From my lonely prison.
So do not pass me by— please don’t pass me by. It will not be easy for you. A lone conviction of worthlessness builds strong walls. The nearer you approach me, the blinder I may strike back.
It’s irrational, but despite what books say about man, I am irrational, I fight against the very things that I cry out for, but I am told love is stronger than strong walls. In this lies my hope, my only hope, please help beat down those walls with firm hands, but with gentle hands—for a child is very sensitive.
Who am I, you may wonder? I am someone you know very well. For I am every man you meet and I am every women you meet.
I give you the impression I’m secure and that all is sunny and unruffled with me, within as well as without, that confidence is my name, coolness my game, that water is calm and I’m in command and that I need no one, but don’t believe me, please don’t believe me.
My surface may be smooth, but my surface is a mask—my every varying and ever concealing mask. Beneath it dwells the real confusion, fear and aloneness. Beneath lies my smugness, my complacently, but I hide this—I don’t want anyone to know it.
I panic at the thought of my weakness and fear being exposed. That’s why I frantically created a mask to hide behind— nonchalant sophisticated facades to help me pretend— to shield me from the glance that knows— but such a glance is precisely my salvation, my only salvation and I know it. That is if it’s followed by acceptance. If it’s followed by love, it’s the only thing that can liberate me from myself, from my own self built prison walls and from the barriers that I so painstakingly erect. It’s the only thing that will assure me of what I cannot assure myself, that I’m really worth while, but I don’t tell you this, I don’t dare—I’m afraid to.
I’m afraid that your glance will not be followed by acceptance and love. I’m afraid you’ll think less of me and you’ll laugh and your laugh will kill me. I’m afraid that deep down, I’m nothing and that I’m just no good and that you’ll see this and reject me.
So I play my game; my desperate pretending; with the facade of assurance without and a trembling child within. And so begins the parade of masks, the glittering, but empty parade of masks and my life becomes a front. I idle chatter to you in suave tones of surface talk. I tell you everything that’s really nothing and nothing of what’s everything and what’s crying within me.
So when I’m through going through my routine, do not be fooled by what I’m saying. Please listen carefully and try to hear what I’m not saying—what I’d like to be able to say, but for survival I need to say, but what I can’t say.
I dislike hiding, honestly, I dislike the superficial game I’m playing, the superficial phony game. I’d really like to be genuine, spontaneous and me, but you’ve got to help me, you’ve got to hold out your hand, even when it’s the last thing I seem to want or need.
You can help wipe away from my eyes—the blank stare of grieving dead. You can help call me into aliveness each time you’re kind, gentle and encouraging. Each time you try to understand because you really care, my heart begins to grow wings, very small wings, very feeble wings, but wings.
If you choose to, please choose to. You can help break down the wall behind which I tremble. You can encourage me to remove my mask. You can help release me from my shadowed world of panic and uncertainty. From my lonely prison.
So do not pass me by— please don’t pass me by. It will not be easy for you. A lone conviction of worthlessness builds strong walls. The nearer you approach me, the blinder I may strike back.
It’s irrational, but despite what books say about man, I am irrational, I fight against the very things that I cry out for, but I am told love is stronger than strong walls. In this lies my hope, my only hope, please help beat down those walls with firm hands, but with gentle hands—for a child is very sensitive.
Who am I, you may wonder? I am someone you know very well. For I am every man you meet and I am every women you meet.
Hayley Cafarella
It’s the way you look at me
And actually listen
Like you could understand
And comprehend
Who I am
All that I wish I could be
Watching you pay attention
I start to believe
That things could get better
You should know it makes a difference
And actually listen
Like you could understand
And comprehend
Who I am
All that I wish I could be
Watching you pay attention
I start to believe
That things could get better
You should know it makes a difference
Anais Nin
And then the day came,
when the risk
to remain tight
in a bud
was more painful
than the risk
it took
to blossom.
when the risk
to remain tight
in a bud
was more painful
than the risk
it took
to blossom.
E.E. Cummings
since feeling is first
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
- the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other; then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
who pays any attention
to the syntax of things
will never wholly kiss you;
wholly to be a fool
while Spring is in the world
my blood approves,
and kisses are a better fate
than wisdom
lady i swear by all flowers. Don’t cry
- the best gesture of my brain is less than
your eyelids’ flutter which says
we are for each other; then
laugh, leaning back in my arms
for life’s not a paragraph
And death i think is no parenthesis
Robert Frost
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-by;
And further still at an unearthly height
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
I have walked out in rain—and back in rain.
I have outwalked the furthest city light.
I have looked down the saddest city lane.
I have passed by the watchman on his beat
And dropped my eyes, unwilling to explain.
I have stood still and stopped the sound of feet
When far away an interrupted cry
Came over houses from another street,
But not to call me back or say good-by;
And further still at an unearthly height
One luminary clock against the sky
Proclaimed the time was neither wrong nor right.
I have been one acquainted with the night.
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